I love this movie but it makes me cry every single time. Even more so than with The Phantom, Chaney created the sympathetic "monster." Quasimodo is a poor, misunderstood and feared man/child who lives at Notre Dame under the protection of the Archdeacon Dom Claude. Dom Claude's evil brother, Jehan, uses Quasimodo to his own wicked ends. Jehan is in love with Esmeralda, the beautiful gypsy who dances at the "Festival of Fools."
Jehan enlists Quasimodo in an attempt to kidnap Esmeralda, but he is stopped by the dashing Phoebus, a rich rogue whose heart is also captured by the beautiful Esmeralda. So far this sounds like an episode of Gossip Girl. 
OK, long story short (I am not a fan of recounting entire films-watch it!!,) Esmeralda gets set up for attempted murder and is sentenced to die. Quasimodo rescues her and takes her to Notre Dame. The members of the Paris Underworld, led by Esmeralda's creepy foster father Clopin, attempt to storm the Cathedral. This leads to the showdown between Quasimodo and the world that shunned him.
I hope I am not giving anything away by telling you that Quasimodo dies at the end. This is a Lon Chaney movie after all- he dies in almost all of them! The part that gets me about this film, that brings on the waterworks, is when Quasimodo rings his own death bell. The only witnesses to his death are Dom Claude and a Parisian Poet- Esmeralda by this time has left with her lover Phoebus.
This role, along with The Phantom, is really classic Chaney. The Monster with the heart- the idea that both good and evil can exist in the same soul. It would have been really cool to see what he would have done with Frankenstein's Monster.
1 comment:
Maybe some day to watch I will, but C. Laughton's Quasi--the l939
version--rings true for me: from
the acrobatic bell-ringing to the
tortured cries of "Sanctuary.....
sanctuary." Cried, I did, at the end. Yep, a true softie here.
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